Neo-Babylonian Rock-cut Monuments and Ritual Performance

The aim of this paper is to review the evidence of the Brisa inscriptions of Nebuchadnezzar II from a new perspective, stressing the ritual aspects of the engagement between monument and landscape, in order to gain insights in the process and circumstances of monument production. As argued elsewhere...

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Détails bibliographiques
Auteur principal: Da Riva, Rocío 1972- (Auteur)
Type de support: Électronique Article
Langue:Anglais
Vérifier la disponibilité: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publié: [2018]
Dans: Hebrew bible and ancient Israel
Année: 2018, Volume: 7, Numéro: 1, Pages: 17-41
Sujets / Chaînes de mots-clés standardisés:B Wadi Brīsā / Libanon / Nebukadnezar, II., Babylonien, König -562 avant J.-C. / Inscription rupestre / Relief rupestre
Classifications IxTheo:KBL Proche-Orient et Afrique du Nord
TC Époque pré-chrétienne
Accès en ligne: Volltext (lizenzpflichtig)
Description
Résumé:The aim of this paper is to review the evidence of the Brisa inscriptions of Nebuchadnezzar II from a new perspective, stressing the ritual aspects of the engagement between monument and landscape, in order to gain insights in the process and circumstances of monument production. As argued elsewhere, the inscriptions are expressions of political power and function as markers of territorial dominion and statements of imperial control. War, religion and politics are clearly intertwined in these iconographic representations and in the texts associated with them. My argument here is that ritual performance played a crucial role in the production and experience of these monuments. I propose the hypothesis that the dual inscriptions and reliefs we find today in the Wadi ash-Sharbin are material traces of a ritual performance gone awry.
ISSN:2192-2284
Contient:Enthalten in: Hebrew bible and ancient Israel
Persistent identifiers:DOI: 10.1628/hebai-2018-0003