Vital (Johannine) Signs: ‘Crip-tic' Enactments of a Man at the Pool (John 5:1-18)

John 5:1-18 is here interpreted ‘crip-tically' (through a crip hermeneutic) which seeks to pay due attention to the man at the pool and his ‘enactments'. In order to subvert notions of what Alison Kafer has termed ‘curative time', here this sign is seen to afford something other than...

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Detalles Bibliográficos
Autor principal: Lawrence, Louise Joy 1975- (Autor)
Tipo de documento: Electrónico Artículo
Lenguaje:Inglés
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Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publicado: [2019]
En: Biblical interpretation
Año: 2019, Volumen: 27, Número: 2, Páginas: 251-273
(Cadenas de) Palabra clave estándar:B Bibel. Johannesevangelium 5,1-18 / Curación / Deficiencia / Arte / Performance (Psicología)
Clasificaciones IxTheo:CD Cristianismo ; Cultura
CE Arte cristiana
HC Nuevo Testamento
Otras palabras clave:B Bibel. Johannesevangelium 5,1-18
B Disability
B crip theory
B Healing
B Performance
Acceso en línea: Volltext (lizenzpflichtig)
Volltext (lizenzpflichtig)
Descripción
Sumario:John 5:1-18 is here interpreted ‘crip-tically' (through a crip hermeneutic) which seeks to pay due attention to the man at the pool and his ‘enactments'. In order to subvert notions of what Alison Kafer has termed ‘curative time', here this sign is seen to afford something other than a normalisation or physical healing of a body. Inspiration is drawn from two recent disability arts exhibits - Liz Crow's Bedding Out (2012-2013) and Noëmi Lakmaier's One Morning in May (2012) - and their respective illustrations of crip time and movement to highlight how the man in John 5:1-18 too has the potential to subversively refigure ‘normative' understandings of time, space and embodiment within the Gospel.
ISSN:1568-5152
Obras secundarias:Enthalten in: Biblical interpretation
Persistent identifiers:DOI: 10.1163/15685152-00272P05