Vital (Johannine) Signs: ‘Crip-tic' Enactments of a Man at the Pool (John 5:1-18)

John 5:1-18 is here interpreted ‘crip-tically' (through a crip hermeneutic) which seeks to pay due attention to the man at the pool and his ‘enactments'. In order to subvert notions of what Alison Kafer has termed ‘curative time', here this sign is seen to afford something other than...

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Détails bibliographiques
Auteur principal: Lawrence, Louise Joy 1975- (Auteur)
Type de support: Électronique Article
Langue:Anglais
Vérifier la disponibilité: HBZ Gateway
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Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publié: [2019]
Dans: Biblical interpretation
Année: 2019, Volume: 27, Numéro: 2, Pages: 251-273
Sujets / Chaînes de mots-clés standardisés:B Bibel. Johannesevangelium 5,1-18 / Guérison / Handicap / Art / Performance (Psychologie)
Classifications IxTheo:CD Christianisme et culture
CE Art chrétien
HC Nouveau Testament
Sujets non-standardisés:B Bibel. Johannesevangelium 5,1-18
B Disability
B crip theory
B Healing
B Performance
Accès en ligne: Volltext (lizenzpflichtig)
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Description
Résumé:John 5:1-18 is here interpreted ‘crip-tically' (through a crip hermeneutic) which seeks to pay due attention to the man at the pool and his ‘enactments'. In order to subvert notions of what Alison Kafer has termed ‘curative time', here this sign is seen to afford something other than a normalisation or physical healing of a body. Inspiration is drawn from two recent disability arts exhibits - Liz Crow's Bedding Out (2012-2013) and Noëmi Lakmaier's One Morning in May (2012) - and their respective illustrations of crip time and movement to highlight how the man in John 5:1-18 too has the potential to subversively refigure ‘normative' understandings of time, space and embodiment within the Gospel.
ISSN:1568-5152
Contient:Enthalten in: Biblical interpretation
Persistent identifiers:DOI: 10.1163/15685152-00272P05