From Blasphemy to Saint Paul: Multistable Subjectivities, Queer Cinema, and Pasolini's Subversive Hagiographies
The project of Saint Paul occupies Pasolini's imagination between 1966 and 1974. It originated with and connects to Pasolini's previous Franciscan project on the subversive hagiography, Bestemmia ("Blasphemy"), another (unshot) screenplay in verse about a rascal of twelfth-centur...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
[2019]
|
| In: |
Biblical interpretation
Year: 2019, Volume: 27, Issue: 4/5, Pages: 549-567 |
| Standardized Subjects / Keyword chains: | B
Franz, von Assisi, Heiliger 1182-1226
/ Paul Apostle
/ Subversion
/ Hagiography
/ Film
/ Motion picture theater
|
| IxTheo Classification: | CD Christianity and Culture HC New Testament |
| Further subjects: | B
Subversive hagiography
B St. Francis B St. Paul B multistable subjectivities B queer studies |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | The project of Saint Paul occupies Pasolini's imagination between 1966 and 1974. It originated with and connects to Pasolini's previous Franciscan project on the subversive hagiography, Bestemmia ("Blasphemy"), another (unshot) screenplay in verse about a rascal of twelfth-century Rome, transformed into a saint after a vision of the Passion in the midst of an orgy. Pasolini worked on Blasphemy from 1962 to 1967, and still later was referring to the project of Saint Paul with the same title of Blasphemy. The continuity, as well as the difference, between the two projects is relevant. I will investigate the roots of Pasolini's Pauline turn, after his Franciscan stage, and contextualize the project of Saint Paul within Pasolini's production and within the rise of European queer cinema. I will also put it into dialogue with contemporary political theology, for instance with the Franciscan turn of Agamben, or the emergence of new, multi-stable subjectivities within the Kippbilder model proposed by Luca Di Blasi in his interpretation of Pasolini's Saint Paul. |
|---|---|
| ISSN: | 1568-5152 |
| Contains: | Enthalten in: Biblical interpretation
|
| Persistent identifiers: | DOI: 10.1163/15685152-02745P06 |