Reading an Aramaic "Qina" Framed by a Biblical One
The author of the first poem of a manuscript from the Cairo Geniza, CUL T-S H14.64, used the verses in Lamentations 1 as a technical device to frame his poem, while he found a variety of ways to connect the stanzas of the poem with verses from Lamentations and other biblical verses. He linked the st...
Subtitles: | Singing in the Vernacular: Jewish Palestinian Aramaic Poetry |
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Main Author: | |
Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Brill
[2019]
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In: |
Aramaic studies
Year: 2019, Volume: 17, Issue: 2, Pages: 174-197 |
Standardized Subjects / Keyword chains: | B
Early Judaism
/ Palestinian Aramaic
/ Poetics
/ Jerusalem
/ Zion Jerusalem
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IxTheo Classification: | HB Old Testament HD Early Judaism |
Further subjects: | B
Zion
B Jewish Palestinian Aramaic poetry B Jerusalem B Qina |
Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
Summary: | The author of the first poem of a manuscript from the Cairo Geniza, CUL T-S H14.64, used the verses in Lamentations 1 as a technical device to frame his poem, while he found a variety of ways to connect the stanzas of the poem with verses from Lamentations and other biblical verses. He linked the stanzas of the poem forward and backward through themes and language that are significant in the poem as a whole. This study also follows the trajectories of both the first- and third-person voices, reflecting on how their interchange might contribute to our understanding of the message of the poem. |
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ISSN: | 1745-5227 |
Contains: | Enthalten in: Aramaic studies
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Persistent identifiers: | DOI: 10.1163/17455227-01702003 |