Three Aramaic Piyyutim for Purim: Text, Context, and Interpretation

This article presents a critical edition of three Aramaic piyyutim for Purim. The piyyutim are unique in that they were not written in Hebrew, the overwhelmingly dominant language of classical piyyutim, but in a biblicizing register of Aramaic. This puts these piyyutim in conversation with other for...

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Autres titres:Singing in the Vernacular: Jewish Palestinian Aramaic Poetry
Auteur principal: Grossman, Eliav (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: [2019]
Dans: Aramaic studies
Année: 2019, Volume: 17, Numéro: 2, Pages: 198-255
Sujets / Chaînes de mots-clés standardisés:B Liturgie / Judaïsme primitif / Judéo-araméen / Poétique / Pourim / Polémique / Christianisme
Classifications IxTheo:HD Judaïsme ancien
Sujets non-standardisés:B Jewish Palestinian Aramaic (JPA) poems
B anti-Christian polemic
B Piyyut
B Liturgical poetry
B Purim
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Résumé:This article presents a critical edition of three Aramaic piyyutim for Purim. The piyyutim are unique in that they were not written in Hebrew, the overwhelmingly dominant language of classical piyyutim, but in a biblicizing register of Aramaic. This puts these piyyutim in conversation with other forms of Jewish Aramaic poetry, namely poems written in Jewish Palestinian Aramaic (JPA). The article includes a detailed analysis of the relation between the JPA poems for Purim and the piyyutim presented herein, and it argues that overt anti-Christian polemics are common to both. The Aramaic piyyutim presented here thus provide a unique nexus between JPA poetry and classical piyyut.
ISSN:1745-5227
Contient:Enthalten in: Aramaic studies
Persistent identifiers:DOI: 10.1163/17455227-01702006