Jesus the Magician?: Why Jesus Holds a Wand in Early Christian Art
The article offers information on the eternal city to witness the convergence of two empires that is the Roman Empire, with its arches and ruins in the Forum, and the Christian empire, with numerous churches in the city and the Vatican. Topics include examines the confluence of pagan and Christian i...
Autor principal: | |
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Tipo de documento: | Print Artículo |
Lenguaje: | Inglés |
Verificar disponibilidad: | HBZ Gateway |
Journals Online & Print: | |
Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
Publicado: |
[2020]
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En: |
Biblical archaeology review
Año: 2020, Volumen: 46, Número: 4, Páginas: 41-47 |
(Cadenas de) Palabra clave estándar: | B
Roma
/ Vatikanstadt (Motivo)
/ Sixtinische Kapelle (Roma)
/ Barroco
/ Historia eclesiástica
/ Imagen de Cristo
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Clasificaciones IxTheo: | CE Arte cristiana KAF Baja Edad Media |
Otras palabras clave: | B
CONVERGENCE insufficiency
B Rome B Galleries (Architecture) B Imperialism B VATICAN. Museo vaticano |
Sumario: | The article offers information on the eternal city to witness the convergence of two empires that is the Roman Empire, with its arches and ruins in the Forum, and the Christian empire, with numerous churches in the city and the Vatican. Topics include examines the confluence of pagan and Christian is even manifested in the Vatican Museums; and considered that various galleries featuring Italian Renaissance artists, culminating in a quick and crowded foray into the Sistine Chapel. |
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ISSN: | 0098-9444 |
Obras secundarias: | Enthalten in: Biblical archaeology review
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