Jesus the Magician?: Why Jesus Holds a Wand in Early Christian Art
The article offers information on the eternal city to witness the convergence of two empires that is the Roman Empire, with its arches and ruins in the Forum, and the Christian empire, with numerous churches in the city and the Vatican. Topics include examines the confluence of pagan and Christian i...
| Auteur principal: | |
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| Type de support: | Imprimé Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publié: |
[2020]
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| Dans: |
Biblical archaeology review
Année: 2020, Volume: 46, Numéro: 4, Pages: 41-47 |
| Sujets / Chaînes de mots-clés standardisés: | B
Rome
/ Vatikanstadt (Motif)
/ Sixtinische Kapelle (Rome)
/ Baroque
/ Histoire de l’Église
/ Représentation du Christ
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| Classifications IxTheo: | CE Art chrétien KAF Moyen Âge tardif |
| Sujets non-standardisés: | B
CONVERGENCE insufficiency
B Rome B Galleries (Architecture) B Imperialism B VATICAN. Museo vaticano |
| Résumé: | The article offers information on the eternal city to witness the convergence of two empires that is the Roman Empire, with its arches and ruins in the Forum, and the Christian empire, with numerous churches in the city and the Vatican. Topics include examines the confluence of pagan and Christian is even manifested in the Vatican Museums; and considered that various galleries featuring Italian Renaissance artists, culminating in a quick and crowded foray into the Sistine Chapel. |
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| ISSN: | 0098-9444 |
| Contient: | Enthalten in: Biblical archaeology review
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