Alvin Goldfarb and Rebecca Rovit, editors. Theatrical Performance during the Holocaust: Texts, Documents, Memoirs. Baltimore: Johns Hopkins University Press, 1999. xiv, 350 pp.
When Hannah Arendt wrote, in Eichmann in Jerusalem (1963), that “the holes of oblivion do not exist. Nothing human is that perfect, and there are simply too many people in the world to make oblivion possible,” she was referring to the survivors of the Holocaust who would live to tell the Shoah'...
| Autore principale: | |
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| Tipo di documento: | Elettronico Review |
| Lingua: | Inglese |
| Verificare la disponibilità: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Pubblicazione: |
2002
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| In: |
AJS review
Anno: 2002, Volume: 26, Fascicolo: 1, Pagine: 209-211 |
| Altre parole chiave: | B
Recensione
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| Accesso online: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Riepilogo: | When Hannah Arendt wrote, in Eichmann in Jerusalem (1963), that “the holes of oblivion do not exist. Nothing human is that perfect, and there are simply too many people in the world to make oblivion possible,” she was referring to the survivors of the Holocaust who would live to tell the Shoah's many “forgotten” stories. Nearly forty years after, there are fewer survivors to do the job. And scholars have taken up the burden of witness to help us fill in the gaps. |
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| ISSN: | 1475-4541 |
| Comprende: | Enthalten in: Association for Jewish Studies, AJS review
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| Persistent identifiers: | DOI: 10.1017/S0364009402610049 |