Forming the imagination: Reading the Psalms with poets

Genre, parallelism and canonical shaping have long been important to Psalms studies. Scholarly advances on these fronts are easily observed. Instead of working the same ground once more, this article sets off on a different path. It aims to read Hebrew poetry, especially the Psalter, with poets. It...

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Bibliographic Details
Main Author: Jones, Ethan C. (Author)
Format: Electronic Article
Language:English
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Published: Cambridge Univ. Press 2022
In: Scottish journal of theology
Year: 2022, Volume: 75, Issue: 4, Pages: 329-346
Standardized Subjects / Keyword chains:B Psalms / Herbert, George 1593-1633 / Thomas, Ronald S. 1913-2000 / Guite, Malcolm 1957- / Poetry
IxTheo Classification:CD Christianity and Culture
HB Old Testament
KAH Church history 1648-1913; modern history
KAJ Church history 1914-; recent history
Further subjects:B Theology
B Psalms
B Malcolm Guite
B George Herbert
B R. S. Thomas
B Poetry
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Description
Summary:Genre, parallelism and canonical shaping have long been important to Psalms studies. Scholarly advances on these fronts are easily observed. Instead of working the same ground once more, this article sets off on a different path. It aims to read Hebrew poetry, especially the Psalter, with poets. It intends to listen carefully to three influential voices: George Herbert (1593-1633), R. S. Thomas (1913-2000) and Malcolm Guite (1957-). These poets help shape our imagination and prepare us to read the Psalms as poetry. Specifically, this results in sounds, repetitions, the constraining and freeing possibilities of forms, and theological themes taking centre stage in experiencing the poetry of Psalms.
ISSN:1475-3065
Contains:Enthalten in: Scottish journal of theology
Persistent identifiers:DOI: 10.1017/S0036930622000618