Divine Mothers: Demeter and the Virgin Mary in the Poetry of Eavan Boland, Paula Meehan, and Mary O'Malley
The Virgin Mary and the Greek goddess Demeter both make frequent appearances in Irish women's poetry. Usually these figures are treated as representative of separate aesthetic needs: the Virgin Mary as a religious figure only, and Demeter as a link to the classical past or a representative of m...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publié: |
2023
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| Dans: |
Christianity & literature
Année: 2023, Volume: 72, Numéro: 2, Pages: 341-359 |
| Classifications IxTheo: | BE Religion gréco-romaine CD Christianisme et culture HC Nouveau Testament KBF Îles britanniques NBE Anthropologie |
| Sujets non-standardisés: | B
Mother
B Demeter B Poetry B Virgin Mary B Irish |
| Accès en ligne: |
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| 520 | |a The Virgin Mary and the Greek goddess Demeter both make frequent appearances in Irish women's poetry. Usually these figures are treated as representative of separate aesthetic needs: the Virgin Mary as a religious figure only, and Demeter as a link to the classical past or a representative of mother-daughter narratives. This separation, however, neglects how several poets, particularly Eavan Boland, Paula Meehan, and Mary O'Malley, make frequent use of both figures, often for related reasons. Demeter can thus be regarded as a parallel divine mother to Mary, whose agency and sexuality offer divine alternatives to Mary's remote passivity. | ||
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