Between script and scripture: performance criticism and Mark's characterization of the disciples

"This volume reimagines the first-century reception of the Gospel of Mark within a reconstructed (yet hypothetical) performance event. In particular, it considers the disciples' character and characterization through the lens of performance criticism. Questions concerning the characterizat...

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Bibliographic Details
Main Author: Eberhart, Zechariah (Author)
Corporate Author: Loyola University Chicago (Degree granting institution)
Format: Electronic/Print Book
Language:English
Check availability: HBZ Gateway
WorldCat: WorldCat
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Leiden Boston Brill [2024]
In: Biblical interpretation series (Volume 220)
Year: 2024
Series/Journal:Biblical interpretation series Volume 220
Standardized Subjects / Keyword chains:B Mark / Oral tradition / Apostle
IxTheo Classification:HC New Testament
Further subjects:B Bible. Mark Criticism, interpretation, etc
B Oral Tradition
B Thesis
B Apostles Biblical teaching
Online Access: Table of Contents
Blurb
Literaturverzeichnis
Presumably Free Access
Volltext (doi)

MARC

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245 1 0 |a Between script and scripture  |b performance criticism and Mark's characterization of the disciples  |c by Zechariah Eberhart 
264 1 |a Leiden  |a Boston  |b Brill  |c [2024] 
264 4 |c © 2024 
300 |a XIII, 236 Seiten 
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500 |a Originally presented as the author's thesis (doctoral)--Loyola University Chicago, 2023 
500 |a Revision of the dissertation completed in 2023 at Loyola University Chigaco 
500 |a Includes bibliographical references and index 
502 |b Dissertation  |c Loyola University Chicago  |d 2023 
520 |a "This volume reimagines the first-century reception of the Gospel of Mark within a reconstructed (yet hypothetical) performance event. In particular, it considers the disciples' character and characterization through the lens of performance criticism. Questions concerning the characterization of the disciples have been relatively one-sided in New Testament scholarship, in favor of their negative characterization. This project demonstrates why such assumptions need not be necessary when we (re-)consider the oral/aural milieu in which the Gospel of Mark was first composed and received by its earliest audiences"-- 
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