Introduction to a Dandy, Part II
The second half of my introduction to Qoheleth pastes a ‘readymade’ gambler’s bond by Marcel Duchamp alongside the book’s opening chapter. The French dandy’s mock self-portrait highlights the complexities of the biblical Assembler’s name/title, his mischievous ploys in the game of wisdom, the metaph...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2014
|
| In: |
Biblical interpretation
Year: 2014, Volume: 22, Issue: 3, Pages: 233-252 |
| Further subjects: | B
Qoheleth
Bible and art
dandy
Marcel Duchamp
Monte Carlo Bond
|
| Online Access: |
Volltext (Publisher) |
| Parallel Edition: | Non-electronic
|
| Summary: | The second half of my introduction to Qoheleth pastes a ‘readymade’ gambler’s bond by Marcel Duchamp alongside the book’s opening chapter. The French dandy’s mock self-portrait highlights the complexities of the biblical Assembler’s name/title, his mischievous ploys in the game of wisdom, the metaphoric significance of the word hebel, and the spinning sensation rendered in reading the text. Constructing a readymade of Qoheleth as Duchamp, I play roulette with the first chapter, following its disconcerting poetics through to the next and retouching the Catalogue of Times with a comic cadence.
|
|---|---|
| Physical Description: | Online-Ressource |
| ISSN: | 1568-5152 |
| Contains: | In: Biblical interpretation
|
| Persistent identifiers: | DOI: 10.1163/15685152-00223p01 |