Singing Thomas: Anatomy of a Sympotic Scene in "Acts of Thomas"
This article examines one of the few musical scenes in ancient Christian literature, the description of a wedding banquet in act 1 of Acts of Thomas, in which a female piper pays special attention to Thomas, and Thomas sings a “hymn to the bride.” The inner dynamics of the scene are explored, and it...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
Published: |
2015
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In: |
Vigiliae Christianae
Year: 2015, Volume: 69, Issue: 3, Pages: 256-275 |
IxTheo Classification: | CD Christianity and Culture HC New Testament KAB Church history 30-500; early Christianity KBL Near East and North Africa |
Further subjects: | B
Christian hymn
Hymn to the Bride
Syriac poetry
madrasa
the Apostle Thomas
Acts of Thomas
the apocryphal acts
epithalamion
encratism
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Online Access: |
Volltext (Verlag) |
Summary: | This article examines one of the few musical scenes in ancient Christian literature, the description of a wedding banquet in act 1 of Acts of Thomas, in which a female piper pays special attention to Thomas, and Thomas sings a “hymn to the bride.” The inner dynamics of the scene are explored, and its contribution to the wider themes of Acts of Thomas is considered. |
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Physical Description: | Online-Ressource |
ISSN: | 1570-0720 |
Contains: | In: Vigiliae Christianae
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Persistent identifiers: | DOI: 10.1163/15700720-12341204 |