Prophetic polyphony: allusion criticism of Isa 41,8-16.17-20; 43,1-7; 44,1-5 in a dialogical approach

Peter A. Heasley veranschaulicht in dieser Arbeit die indirekte Gegenwart der Psalmen in den Prophezeiungen Jesajas. Durch einen interpretierenden Ansatz in Anlehnung an Mikhail Bakhtin zeigt er, wie die Gegenwart der Psalmen die Beziehung zwischen dem prophetischen Autor und seinem Leser formte.

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Bibliographic Details
Main Author: Heasley, Peter A. 1979- (Author)
Format: Electronic Book
Language:English
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Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Published: Tübingen Mohr Siebeck 2020
In: Forschungen zum Alten Testament / 2 (113)
Year: 2020
Reviews:[Rezension von: Heasley, Peter A., 1979-, Prophetic polyphony : allusion criticism of Isa 41,8-16.17-20; 43,1-7; 44,1-5 in a dialogical approach] (2022) (Uhlig, Torsten, 1975 -)
Series/Journal:Forschungen zum Alten Testament / 2 113
Standardized Subjects / Keyword chains:B Psalms / Reception / Bible. Jesaja 41,8-16 / Bible. Jesaja 41,17-20 / Bible. Jesaja 43,1-7 / Bible. Jesaja 44,1-5 / Allusion / Intertextuality
B Bible. Jesaja 41,8-16 / Bible. Jesaja 41,17-20 / Bible. Jesaja 43,1-7 / Bible. Jesaja 44,1-5 / Compounding (Textual linguistics)
IxTheo Classification:HB Old Testament
Further subjects:B System im Recht
B Intertextuality
B Form Criticism
B Beweiskraft
B New Covenant
B salvation oracles
B Bakhtin
B Aesthetic Theory
B Thesis
B prophetische Bundeskonzeptionen
B Superdividende
B Altes Testament
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Parallel Edition:Non-electronic
Description
Summary:Peter A. Heasley veranschaulicht in dieser Arbeit die indirekte Gegenwart der Psalmen in den Prophezeiungen Jesajas. Durch einen interpretierenden Ansatz in Anlehnung an Mikhail Bakhtin zeigt er, wie die Gegenwart der Psalmen die Beziehung zwischen dem prophetischen Autor und seinem Leser formte.
Uniting the study of allusion with that of literary form in a prophetic book, Peter A. Heasley treats three passages long compared in form criticism and overlooked in allusion studies: Isa 41,8–16.17–20, 43,1–7, and 44,1–5. Through the specific method of allusion criticism that he develops, he demonstrates how the author of these Salvation Oracles composes them using the stylistic patterns of the very passages to which they allude. This helps identify many new inner-biblical allusions, especially to the Psalms of Lament, Psalms of Praise, and Historical Hymns. The author brings these exegetical findings into an interpretative approach to form adapted from Bakhtinian dialogism, especially in its distinction between compositional form and architectonic form.
Physical Description:Online-Ressource (XXII, 366 Seiten)
ISBN:978-3-16-159243-0
3-16-159242-5
Persistent identifiers:DOI: 10.1628/978-3-16-159243-0