Jesus the Magician?: Why Jesus Holds a Wand in Early Christian Art
The article offers information on the eternal city to witness the convergence of two empires that is the Roman Empire, with its arches and ruins in the Forum, and the Christian empire, with numerous churches in the city and the Vatican. Topics include examines the confluence of pagan and Christian i...
1. VerfasserIn: | |
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Medienart: | Druck Aufsatz |
Sprache: | Englisch |
Verfügbarkeit prüfen: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Veröffentlicht: |
[2020]
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In: |
Biblical archaeology review
Jahr: 2020, Band: 46, Heft: 4, Seiten: 41-47 |
normierte Schlagwort(-folgen): | B
Rom
/ Vatikanstadt (Motiv)
/ Sixtinische Kapelle (Rom)
/ Barock
/ Kirchengeschichte
/ Christusdarstellung
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IxTheo Notationen: | CE Christliche Kunst KAF Kirchengeschichte 1300-1500; Spätmittelalter |
weitere Schlagwörter: | B
CONVERGENCE insufficiency
B Rome B Galleries (Architecture) B Imperialism B VATICAN. Museo vaticano |
Zusammenfassung: | The article offers information on the eternal city to witness the convergence of two empires that is the Roman Empire, with its arches and ruins in the Forum, and the Christian empire, with numerous churches in the city and the Vatican. Topics include examines the confluence of pagan and Christian is even manifested in the Vatican Museums; and considered that various galleries featuring Italian Renaissance artists, culminating in a quick and crowded foray into the Sistine Chapel. |
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ISSN: | 0098-9444 |
Enthält: | Enthalten in: Biblical archaeology review
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