Jesus the Magician?: Why Jesus Holds a Wand in Early Christian Art

The article offers information on the eternal city to witness the convergence of two empires that is the Roman Empire, with its arches and ruins in the Forum, and the Christian empire, with numerous churches in the city and the Vatican. Topics include examines the confluence of pagan and Christian i...

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Bibliographische Detailangaben
1. VerfasserIn: Jefferson, Lee M. (VerfasserIn)
Medienart: Druck Aufsatz
Sprache:Englisch
Verfügbarkeit prüfen: HBZ Gateway
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Fernleihe:Fernleihe für die Fachinformationsdienste
Veröffentlicht: [2020]
In: Biblical archaeology review
Jahr: 2020, Band: 46, Heft: 4, Seiten: 41-47
normierte Schlagwort(-folgen):B Rom / Vatikanstadt (Motiv) / Sixtinische Kapelle (Rom) / Barock / Kirchengeschichte / Christusdarstellung
IxTheo Notationen:CE Christliche Kunst
KAF Kirchengeschichte 1300-1500; Spätmittelalter
weitere Schlagwörter:B CONVERGENCE insufficiency
B Rome
B Galleries (Architecture)
B Imperialism
B VATICAN. Museo vaticano
Beschreibung
Zusammenfassung:The article offers information on the eternal city to witness the convergence of two empires that is the Roman Empire, with its arches and ruins in the Forum, and the Christian empire, with numerous churches in the city and the Vatican. Topics include examines the confluence of pagan and Christian is even manifested in the Vatican Museums; and considered that various galleries featuring Italian Renaissance artists, culminating in a quick and crowded foray into the Sistine Chapel.
ISSN:0098-9444
Enthält:Enthalten in: Biblical archaeology review