Bakhtin Reads the Song of Songs

If Mikhail Bakhtin were to read the Hebrew text of the Song of Songs, he would likely propose three claims in regard to it, namely: (1) the Song of Songs is an Event of Events; (2) the Song of Songs represents a Genre of Genres; and (3) the Song of Songs is an Utterance of Utterances. In this articl...

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Détails bibliographiques
Auteur principal: Pfenniger, Jennifer (Auteur)
Type de support: Électronique Article
Langue:Anglais
Vérifier la disponibilité: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publié: 2010
Dans: Journal for the study of the Old Testament
Année: 2010, Volume: 34, Numéro: 3, Pages: 331-349
Sujets non-standardisés:B Characterization
B Dialogism
B history of interpretation
B Genre
B Bakhtin
B Allegory
B Isaiah
B Song of Songs
Accès en ligne: Volltext (lizenzpflichtig)
Édition parallèle:Non-électronique
Description
Résumé:If Mikhail Bakhtin were to read the Hebrew text of the Song of Songs, he would likely propose three claims in regard to it, namely: (1) the Song of Songs is an Event of Events; (2) the Song of Songs represents a Genre of Genres; and (3) the Song of Songs is an Utterance of Utterances. In this article, the Song as an ‘Event of Events’ will be explored within the context of the Song’s variegated but quite cleanly polarized history of interpretation; the Song as representative of a ‘Genre of Genres’ will be treated in light of the components and attributes of its Hebrew text and structure; and the Song as an ‘Utterance of Utterances’ will be pursued in relation to the Song’s relevance and resonance within other parts of Hebrew Scripture.
ISSN:1476-6728
Contient:Enthalten in: Journal for the study of the Old Testament
Persistent identifiers:DOI: 10.1177/0309089210363031