Ein Happy End im Hohelied? Eine Untersuchung zu Hld 2,8–14; 3,1–5 und 5,2–8 und eine narrative Lesart
In this article I intend to show how female and male protagonists are portrayed in the poems of the Song of Songs narrating a plot. After giving specific reasons for choosing Cant 2:8-14; 3:1-5 and 5:2-8, textual criticism and syntactic and semantic analysis of these texts are presented. A synchroni...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | German |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2004
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| In: |
Protokolle zur Bibel
Year: 2004, Volume: 13, Issue: 1, Pages: 3-24 |
| Standardized Subjects / Keyword chains: | B
Bible. Hoheslied 2,8-14
/ Bible. Hoheslied 3,1-5
/ Bible. Hoheslied 5,2-8
/ Textual structure
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| Further subjects: | B
Narrative theory
B Bible. Hoheslied 2,8-14 B Bible. Hoheslied 5,2-8 B Bible. Hoheslied 3,1-5 B Song of Songs |
| Online Access: |
Volltext (kostenfrei) |
| Parallel Edition: | Non-electronic
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| Summary: | In this article I intend to show how female and male protagonists are portrayed in the poems of the Song of Songs narrating a plot. After giving specific reasons for choosing Cant 2:8-14; 3:1-5 and 5:2-8, textual criticism and syntactic and semantic analysis of these texts are presented. A synchronic perspective is used to bring out elements of the texts which are repeated in the poems for several times and therefore can be linked. Finally I read these three poems as one story - this way discovering also problematic and disturbing parts of the Song of Songs and differentiating the conventional understanding of the biblical book as a celebration of mutual desire and fulfillment. |
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| ISSN: | 2412-2467 |
| Contains: | Enthalten in: Protokolle zur Bibel
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