Dance in Ninth Century Java: A Methodology for the Analysis and Reconstitution of the Dance
Demonstrating the universalism of the dance, the author, a scholar of Southeast Asia, tells us that rather than focusing solely on contextual issues, such as the nature and function of dance at a particular point in time and in a specific sociocultural context, it is enlightening for scholars of the...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2003
|
| In: |
Near Eastern archaeology
Year: 2003, Volume: 66, Issue: 3, Pages: 137-139 |
| Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) |
| Parallel Edition: | Non-electronic
|
| Summary: | Demonstrating the universalism of the dance, the author, a scholar of Southeast Asia, tells us that rather than focusing solely on contextual issues, such as the nature and function of dance at a particular point in time and in a specific sociocultural context, it is enlightening for scholars of the past to look at these depictions from the dancer's point of view, in other words, in terms of movement reconstitution and its reembodiment. The author's work on the Prambanan dance reliefs of Ninth century Java is just such an exploration. |
|---|---|
| ISSN: | 2325-5404 |
| Contains: | Enthalten in: Near Eastern archaeology
|
| Persistent identifiers: | DOI: 10.2307/3210919 |