Heber the Kenite Deceives a Poor Yokel: A Literary Reading of the Twenty-First Gate in Yehuda Al-Ḥarizi's Sefer Taḥkemoni (Compared to its Arabic Source, Al-Hamadhāni's Al-Maqama Al-Baghdādiyya)
This paper proposes a close-reading of one of the best-known maqamas in Yehuda Al-Ḥarizi's Sefer Taḥkemoni, which is here compared with the original Arabic version, Al-Hamadhāni's Al-Maqama Al-Baghdādiyya. This reading is based on the hypothesis that some of the well-known medieval rhymed...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2022
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| In: |
Hebrew studies
Year: 2022, Volume: 63, Pages: 165-175 |
| Standardized Subjects / Keyword chains: | B
Irony
/ Polysemy
/ Judaism
/ Middle Ages
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| IxTheo Classification: | BH Judaism |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | This paper proposes a close-reading of one of the best-known maqamas in Yehuda Al-Ḥarizi's Sefer Taḥkemoni, which is here compared with the original Arabic version, Al-Hamadhāni's Al-Maqama Al-Baghdādiyya. This reading is based on the hypothesis that some of the well-known medieval rhymed Hebrew stories are based on uncertainty as a poetic principle and that this principle can explain (and be explained by) their frequent use of contradictory elements and varied forms of the ironic, the grotesque, and the ambiguous. |
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| ISSN: | 2158-1681 |
| Contains: | Enthalten in: Hebrew studies
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| Persistent identifiers: | DOI: 10.1353/hbr.2022.0008 |