Narrative and drama in the book of Revelation: a literary approach
The Book of Revelation is one of the most cryptic books of the Bible and one that raises many scholarly questions. What is its literary genre? Why is it considered to be both a narrative and a drama? Why does John disregard time-space coordinates? Why does the audience have such an important role in...
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| Format: | Print Book |
| Language: | English |
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| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Cambridge New York Melbourne New Delhi Singapore
Cambridge University Press
2020
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| In: |
Monograph series / Society for New Testament Studies (volume 175)
Year: 2020 |
| Edition: | First paperback edition |
| Series/Journal: | Society for New Testament studies monograph series
volume 175 |
| Summary: | The Book of Revelation is one of the most cryptic books of the Bible and one that raises many scholarly questions. What is its literary genre? Why is it considered to be both a narrative and a drama? Why does John disregard time-space coordinates? Why does the audience have such an important role in the text? What literary guidelines has the author designed to facilitate the reading of the book? Applying the methods of literary theory to her study, Lourdes Garcia-Urena argues that John wrote Revelation as a book to be read aloud in a liturgical context. In her reading, John chose a literary form, similar to the short story, that allows him to use time-space coordinates flexibly, to dramatize the text, and to take his time in describing his visions. Through these techniques the audience re-lives and is made part of the visual and auditory experience every time the book is read. |
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| Physical Description: | xviii, 218 Seiten |
| ISBN: | 1108705227 |