Jews, Christians, and the discourse on images before Iconoclasm

Between the sixth and eighth centuries CE, the image emerged as a rhetorical category in religious literature produced in the Mediterranean basin. The development was not a uniquely Christian phenomenon. Rather, it emerged in the context of broader debates about symbolic forms that took place across...

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Detalles Bibliográficos
Autor principal: Sivertsev, Alexei 1973- (Autor)
Tipo de documento: Electrónico Libro
Lenguaje:Inglés
Servicio de pedido Subito: Pedir ahora.
Verificar disponibilidad: HBZ Gateway
WorldCat: WorldCat
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publicado: Cambridge, United Kingdom New York, NY Cambridge University Press 2024
En:Año: 2024
Críticas:[Rezension von: Sivertsev, Alexei, 1973-, Jews, Christians, and the discourse on images before Iconoclasm] (2025) (Stern, Karen B.)
(Cadenas de) Palabra clave estándar:B Yannai ca. 7. Jh. oder früher / Piyut / Judaísmo / Cristianismo / Controversia iconoclasta / Retórica / Historia 500-800
B Mittelmeerraum / Geschichte 500-799 Jh. / Literatura cristiana / Literatura judía / Culto a imágenes / Percepción óptica
Otras palabras clave:B Yannai Criticism and interpretation
B Judaism Relations Christianity
B Christianity and other religions Judaism
B Piyutim History and criticism
B Jacob (Biblical patriarch)
B Visual perception History To 1500
Acceso en línea: Volltext (lizenzpflichtig)
Parallel Edition:No electrónico
Descripción
Sumario:Between the sixth and eighth centuries CE, the image emerged as a rhetorical category in religious literature produced in the Mediterranean basin. The development was not a uniquely Christian phenomenon. Rather, it emerged in the context of broader debates about symbolic forms that took place across a wide range of ethnic, linguistic, and religious groups who inhabited the late Roman and early Byzantine world. In this book, Alexei Sivertsev demonstrates how Jewish texts serve as an important, and until recently overlooked, witness to the formation of image discourse and associated practices of image veneration in late antiquity and the early Middle Ages. Addressing the role of the image as a rhetorical device in Jewish liturgical poetry, Sivertsev also considers the theme of the engraved image of Jacob in its early Byzantine context and the aesthetics of spaces that bridge the gap between the material and the immaterial in early Byzantine imagination.
Notas:Title from publisher's bibliographic system (viewed on 02 Feb 2024)
Descripción Física:1 online resource (xiv, 278 pages), digital, PDF file(s).
ISBN:978-1-009-42457-8
978-1-009-42453-0
978-1-009-42454-7
Persistent identifiers:DOI: 10.1017/9781009424578