René Girard y el juramento de Herodes

There is nothing better than René Girard’s mimetic desire and scapegoat’s theory to interpret and understand the enigmatic episode of the death of John the Baptist at the climax of Herod’s birthday celebration. Before Girard, many literary pieces have dealt with this same subject. Among them, Oscar...

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Bibliographic Details
Main Author: Quevedo, Amalia (Author)
Format: Electronic Article
Language:Spanish
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Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Published: 2019
In: Tópicos
Year: 2019, Issue: 57, Pages: 149-174
Further subjects:B Wilde
B Juan el Bautista
B Girard
B Flaubert
B deseo mimético
B danza de Salomé
B Herodes
Online Access: Volltext (kostenfrei)
Description
Summary:There is nothing better than René Girard’s mimetic desire and scapegoat’s theory to interpret and understand the enigmatic episode of the death of John the Baptist at the climax of Herod’s birthday celebration. Before Girard, many literary pieces have dealt with this same subject. Among them, Oscar Wilde’s Salome and Gustave Flaubert’s Hérodias, which offer a fascinating approach to the story told both by the Gospels and by historian Flavius Josephus. In this paper, several aspects are taken into consideration, namely, the historical and political context, the secondary "characters", the events before, during and after the banquet, the apparently inexplicable bloody ending and its terrible aftermath.
ISSN:2007-8498
Contains:Enthalten in: Tópicos
Persistent identifiers:DOI: 10.21555/top.v0i57.1039