Šibkost Izraela in moč ženskih likov v Deborini pesmi (Sodniki 5) ter v podobnih slavilnih molitvah
This article analyses the poem of Deborah (Judg 5), one of the oldest examples of Hebrew poetry. Together with an even older form of prayer of praise, the Song of Moses (Exodus 15:1-18), it represents the beginnings of the psalm-prayer genre. It focuses on the analysis of the thematic-motivic and rh...
| Subtitles: | The Weakness of Israel and the Strength of the Female Characters in the Song of Deborah (Judges 5) and in Similar Prayers of Praise |
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| Main Author: | |
| Format: | Electronic Article |
| Language: | Slovenian |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
2024
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| In: |
Edinost in dialog
Year: 2024, Volume: 79, Issue: 2, Pages: 41-59 |
| Further subjects: | B
Mirjam
B Judith B Jaela B šibkost in moč B weakness and strength B Irony B Siserajeva mati B Deborah B the prophetess Miriam B prayer of praise B Debora B Judita B Sisera’s mother B Jael B slavilna molitev B ironija |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Summary: | This article analyses the poem of Deborah (Judg 5), one of the oldest examples of Hebrew poetry. Together with an even older form of prayer of praise, the Song of Moses (Exodus 15:1-18), it represents the beginnings of the psalm-prayer genre. It focuses on the analysis of the thematic-motivic and rhetorical elements of Deborah’s poem, which reveal the weakness of the tribes of Israel in comparison with the militarily organised Canaanite kingdoms and the strength of Jewish women in war. We are interested in how the women dealt with weakness, how they demonstrated strength and how they relied on the strength of God. The paper shows how only Deborah, a remarkable female figure of the Old Testament, prophetess, judge and military leader, dared to stand up to the destructive strategy of the Canaanites. By defeating the mighty Canaanite warlord Sisera, she demonstrated her extraordinary power in an area that is actually the domain of men, not women. Jael and Sisera’s mother are also portrayed with irony and other rhetorical figures. In the context of Scripture, Deborah’s original prayer of praise, thanking God for her triumph in war, is only justified by the knowledge that the tribes of Israel had to fight for their survival. A comparative analysis of Deborah's poem shows that the tradition of praise as prayer in connection with various female characters was enriched in the later Old Testament period. Prispevek prinaša analizo Deborine pesmi (Sod 5), ki je eden najstarejših primerov hebrejske poezije. Skupaj s še starejšo obliko slavilne molitve, Mojzesovo pesmijo (2 Mz 15,1- 18), predstavlja same začetke žanra molitve psalmov. Osredotoča se na analizo tematsko-motivnih in retoričnih prvin Deborine pesmi, ki razkrivajo šibkost izraelskih rodov v primerjavi z vojaško organiziranimi kanaanskimi kraljestvi, ter moč judovskih žensk v vojni. Zanima nas, kako so se ženske soočale s šibkostjo, kako so izkazovale moč in kako so se zanašale na Božjo moč. Prispevek prikazuje, kako se je uničevalni strategiji Kanaancev upala zoperstaviti samo Debora kot izjemen ženski starozavezni lik prerokinje, sodnice in vojskovodje. Z zmago nad mogočnim kanaanskim vojskovodjo Siserajem je izkazala svojo izjemno moč na področju, ki je domena moških, in ne žensk. Z rabo ironije in drugih retoričnih figur sta prikazani tudi Jaela in Siserajeva mati. V kontekstu Svetega pisma je izvirna slavilna molitev Debore, ki se zahvaljuje Bogu za zmagoslavje v vojni, opravičljiva le na podlagi spoznanja, da so se izraelski rodovi morali boriti za preživetje v spopadu z močnejšim sovražnikom, ki jih je nameraval uničiti. Primerjalna analiza Deborine pesmi kaže, da se je tradicija hvalospevov kot molitev v povezavi z različnimi ženskimi liki bogatila v poznejšem obdobju Stare zaveze. |
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| ISSN: | 2385-8907 |
| Contains: | Enthalten in: Edinost in dialog
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| Persistent identifiers: | DOI: 10.34291/Edinost/79/02/Avsenik2 |